She knelt, so pure a thing, so free from mortal taint" The Eve of St. At once the idea of making Madeline's belief become reality by his presence in her bedroom at midnight flashes into his mind.
Keats' metrical pattern is the iambic nine-line Spenserian stanza that earlier poets had found suitable for descriptive and meditative poetry. The spell of the magic of the night came to an end. Within the castle, Madeline, one of the main characters of this story is stuck dancing amongst the guests.
She wants nothing more than the hour to arrive. She does manage to dance for a time.
He revised the work at Winchester in September; it was first published in The boisterous, midnight, festive clarion, The kettle-drum, and far-heard clarinet, Affray his ears, though but in dying tone:— The hall door shuts again, and all the noise is gone.
In contrast, Madeline seems to have her mind on a "divine" 57 things: a sanctified visit from her future husband. And so the Beadsman "For aye unsought for slept among his ashes cold.
The spiritual perfection of her dream-life is not perfectly mirrored in earthly reality, at least not at first.